If you like World Cup '11 EDITOR'S CUT (w/sound design) ver. 1, you may also like:
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Intricately layered synthwave with an experimental edge and a pure pop heart.
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Made over the course of four dark months, Reece Thomas’s new record features synth compositions that are both beautiful & unsettling.
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Every sound here is made using Megan Mitchell's voice, even though the music often sounds more like Earth’s vibrations than a human singing.
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Une harmonie invisible
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From the always-great label Umor Rex comes the latest from Lina Filipovich: A ruthless deconstruction of classical pieces.
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